Bibliography
The present bibliography is limited to studies and editions cited in GCO. See also the Annotated Bibliography of Gaffurius’s Libroni.
AH
Dreves, Guido Maria, Clemens Blume, and Henry Marriot Bannister (eds.), Analecta Hymnica Medii Aevi, 55 vols (Leipzig: Reisland, 1886–1925).
ANNALI 1877
Annali della Fabbrica del Duomo di Milano dall’origine fino al presente, vol. 2 [1412–80] (Milan: G. Brigola, 1877).
ANNALI 1880
Annali della Fabbrica del Duomo di Milano dall’origine fino al presente, vol. 3 [1481–1550] (Milan: G. Brigola, 1880).
ANNALI 1885
Annali della Fabbrica del Duomo di Milano dall’origine fino al presente: Appendici, vol. 2 (Milan: G. Brigola, 1885).
BERWIN - HIRSCHFELD 1892
Berwin, Adolfo, and Robert Hirschfeld (eds.), Internationale Ausstellung für Musik- und Theaterwesen, Wien 1892: Fach-Katalog der Abtheilung des Königreiches Italien (Vienna: Selbstverlag der Ausstellungs-Commission, 1892).
BLACKBURN 1997
Blackburn, Bonnie J., “For Whom Do the Singers Sing?”, Early Music, 25, no. 4 (1997), 593–610.
BLACKBURN 2000
Blackburn, Bonnie J., “Masses Based on Popular Songs and Solmization Syllables”, in The Josquin Companion, ed. Richard Sherr (Oxford: Oxford University Press, 2000), 51–87.
BLACKBURN 2001
Blackburn, Bonnie J., “The Dispute about Harmony c. 1500 and the Creation of a New Style”, in Théorie et Analyse Musicales, 1450–1650: Actes du colloque international, Louvain-la-Neuve, 23–25 Septembre 1999 = Music Theory and Analysis, 1450–1650: Proceedings of the International Conference, Louvain-la-Neuve, 23–25 September 1999, ed. Anne-Emmanuelle Ceulemans (Louvain-la-Neuve: Départment d’histoire de l’art et d’archéologie; Collège Érasme, 2001),1–37.
BLACKBURN 2019
Blackburn, Bonnie J., “Variations on Agricola’s Si dedero: A Motet Cycle Unmasked,” in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e Saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 187–217.
BLOXAM 1992
Bloxam, M. Jennifer, “‘La Contenance Italienne’: The Motets on ‘Beata es Maria’ by Compère, Obrecht and Brumel”, Early Music History, 11 (1992), 39–89.
BOKULICH 2017
Bokulich, Clare, “Contextualizing Josquin’s ‘Ave Maria…virgo serena’”, The Journal of Musicology, 34, no. 2 (2017), 182–240.
BOKULICH 2019
Bokulich, Clare, “Meter and the ‘Motetti Missales’”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 397–427.
BOORMAN 2006
Boorman, Stanley, Ottaviano Petrucci: A Catalogue Raisonné (New York: Oxford University Press, 2006).
BOSI 2005
Bosi, Carlo, “‘Tant que mon/nostre argent dura’: Die Überlieferung und Bearbeitung einer ‘populären’ Melodie in fünf mehrstimmigen Sätzen”, Acta Musicologica, 77, no. 2 (2005), 205–28.
BRIDGMAN 1967
Bridgman, Nanie, “Manuscrits Clandestins. A propos du Ms. Rés. 862 de la Bibliothèque nationale de Paris, fonds du Conservatoire”, Revue de Musicologie, 53, no. 1 (1967), 21–27.
BRIDGMAN 1991
Bridgman, Nanie, Manuscrits de musique polyphonique, XVe et XVIe siècles: Italie: catalogue, Répertoire international des sources musicales, B IV/5 (Munich: Henle, 1991).
BROWN 1992
Brown, Howard Mayer, “On Veronica and Josquin”, in New Perspectives on Music : Essays in Honor of Eileen Southern, ed. Josephine Wright and Samuel Floyd, Detroit Monographs in Musicology, 11 (Warren, MI: Harmonie Park Press, 1992), 49–61.
BURKHOLDER 1985
Burkholder, J. Peter, “Johannes Martini and the Imitation Mass of the Late Fifteenth Century”, Journal of the American Musicological Society, 38, no. 3 (1985), 470–523.
BUSNELLI 1986
Busnelli, Mariella, “L’archivio musicale della Fabbrica del Duomo”, in Sei secoli di musica nel Duomo di Milano, ed. Graziella De Florentiis and Gian Nicola Vessia (Milan: NED, 1986), 251–70.
CASSIA 2019A
Cassia, Cristina, “La compilazione del Catalogo dei Libroni: problemi e osservazioni”, in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 275–90.
CASSIA 2019B
Cassia, Cristina, “Catalogo dei Libroni gaffuriani”, in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 291–389.
CASSIA 2021
Cassia, Cristina, “Gaffurius at the Mirror: The Internal Concordances of the Libroni”, in Reopening Gaffurius’s Libroni, ed. Agnese Pavanello (Lucca: Libreria Musicale Italiana, 2021).
CHIU 2017
Chiu, Remi, Plague and Music in the Renaissance (Cambridge: Cambridge University Press, 2017).
CICERI 1957
Ciceri, Angelo, “Rigenerazione di documenti carbonizzati dell’Archivio della Veneranda Fabbrica del Duomo”, in Studi in onore di Carlo Castiglioni, prefetto dell’Ambrosiana (Milan: Giuffrè, 1957).
CRAWFORD 1970
Crawford, David E., “Review of: Thomas Lee Noblitt - The ‘Motetti Missales’ of the Late 15th Century”, Current Musicology, 10 (1970), 102–8.
CROLL 1954
Croll, Gerhard, “Das Motettenwerk Gaspars van Weerbeke” (Ph.D. diss., Georg-August Universität, Göttingen, 1954).
CUMMING 1999
Cumming, Julie E., The Motet in the Age of Du Fay (Cambridge: Cambridge University Press, 1999).
CUMMINGS 1997
Cummings, Anthony M., “Notes on a Josquin Motet and Its Sources”, in Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Jessie Ann Owens, Detroit Monographs in Musicology, 18 (Warren, MI: Harmonie Park Press, 1997), 113–22.
D'ACCONE 1986
D’Accone, Frank (ed.), Siena, Biblioteca Comunale degli Intronati, MS K.I.2., Renaissance Music in Facsimile, 17 (New York: Garland, 1986).
DEGRADA 1983
Degrada, Francesco, “Musica e musicisti nell’età di Ludovico il Moro”, in Milano nell’età di Ludovico il Moro: Atti del convegno internazionale, 28 febbraio – 4 marzo 1983, 2 vols (Milan: Comune di Milano, Archivio storico civico e Biblioteca trivulziana, 1983), ii. 409–16.
DÈZES 1927–28
Dèzes, Karl, “Das Dufay zugeschriebene ‘Salve Regina’, eine deutsche Komposition. Stilkritische Studie”, Zeitschrift für Musikwissenschaft, 10 (August 1927), 327–62.
DIERGARTEN 2017
Diergarten, Felix, “‘Aut propter devotionem, aut propter sonorositatem’: Compositional Design of Late Fifteenth-Century Elevation Motets in Perspective”, Journal of the Alamire Foundation, 9, no. 1 (2017), 61–86.
DRAKE 2009
Drake, Warren, “A Postscript to Petrucci’s ‘Motetti B’: A Closer Look at the ‘Secret Manuscript’ in the Paris Copy”, in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, ed. M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, Epitome Musical (Turnhout: Brepols, 2009), 283–94.
DUOMO 1906
Il Duomo di Milano all’Esposizione internazionale del 1906: catalogo (Milan: Tip. Sonzogno, 1906).
DUMITRESCU 2012
Dumitrescu, Theodor, “Who Was ‘Prioris’? A Royal Composer Recovered”, Journal of the American Musicological Society, 65, no. 1 (2012), 5–65.
Dumitrescu, Theodor, “Who Was ‘Prioris’? A Royal Composer Recovered”, Journal of the American Musicological Society, 65, no. 1 (2012), 5–65.
EITNER 1900–04
Eitner, Robert, Biographisch-bibliographisches Quellen-Lexikon der Musiker und Musikgelehrten der christlichen Zeitrechnung bis zur Mitte des neunzehnten Jahrhunderts, 10 vols (Leipzig: Breitkopf und Härtel, 1900).
ELDERS 1998
Elders, Willem, “New Light on the Dating of Josquin’s ‘Hercules’ Mass”, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 48, no. 2 (1998), 112–49.
ESPOSIZIONE 1881
Esposizione musicale sotto il patrocinio di S. M. la Regina, Milano 1881, Catalogo, Gruppi IV, V e VI (Milan: Tip. Pirola, 1881).
FALLOWS 1982
Fallows, David, Dufay, The Master Musicians (London: Dent, 1982).
FALLOWS 2009
Fallows, David, Josquin, Epitome Musical (Turnhout: Brepols, 2009).
FERRO 2019
Ferro, Eva, “‘Old Texts for New Music’? Textual and Philological Observations on the Cycles ‘Salve Mater Salvatoris’ and ‘Ave Domine Iesu Christe’ from Librone 1”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 189–218.
FIEDLER 1997
Fiedler, Eric F., Die Messen des Gaspar van Weerbeke (ca. 1445 – nach 1517), Frankfurter Beiträge zur Musikwissenschaft, 26 (Tutzing: Schneider, 1997).
FILIPPI 2012
Filippi, Daniele V., “Text, Form, and Style in Franchino Gaffurio’s Motets”, in The Motet around 1500: On the Relationship between Imitation and Text Treatment?, ed. Thomas Schmidt-Beste, Epitome Musical (Turnhout: Brepols, 2012), 383–410.
FILIPPI 2019A
Filippi, Daniele V., “Breve guida ai motetti missales (e dintorni)”, in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 139–69.
FILIPPI 2019B
Filippi, Daniele V., “Where Devotion and Liturgy Meet: Re-Assessing the Milanese Roots of the ‘Motetti Missales’”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 53–91.
FILIPPI 2020
Filippi, Daniele V., “Operation Libroni: Franchinus Gaffurius and the Construction of a Repertory for Milan’s Duomo”, in Sounding the Past: Music as History and Memory, ed. Karl Kügle, Epitome Musical (Turnhout: Brepols, 2020), 101–14.
FILIPPI 2021A
Filippi, Daniele V., “The Making and the Dating of the Gaffurius Codices: Archival Evidence and Research Perspectives”, in Reopening Gaffurius’s Libroni, ed. Agnese Pavanello (Lucca: Libreria Musicale Italiana, 2021).
FILIPPI 2021B
Filippi, Daniele V., “Gaffurius’s Paratexts: Notes on the Indexes of Libroni 1–3”, in Reopening Gaffurius’s Libroni, ed. Agnese Pavanello (Lucca: Libreria Musicale Italiana, 2021).
FILIPPI - PAVANELLO 2019
Filippi, Daniele V. and Agnese Pavanello (eds.), Codici per cantare: I Libroni del Duomo nella Milano sforzesca, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019).
FINSCHER 1954
Finscher, Ludwig, “Die Messen und Motetten Loyset Compères” (Ph.D. diss., Georg-August Universität, Göttingen, 1954).
FINSCHER 1964
Finscher, Ludwig, Loyset Compère (c.1450–1518): Life and Works, Musicological Studies and Documents, 12 ([Rome]: American Institute of Musicology, 1964).
FINSCHER 2000
Finscher, Ludwig, “Four-Voice Motets”, in The Josquin Companion, ed. Richard Sherr (Oxford: Oxford University Press, 2000), 249–79.
FITCH 2018
Fitch, Fabrice, “Loyset Compère and the Motetti Missales Cycle ‘Ave Domine Jesu Christe’”, Journal of the Alamire Foundation, 10, no. 2 (2018), 293–304.
GANCARCZYK - HLÁVKOVÁ-MRÁČKOVÁ 2017
Gancarczyk, Paweł, and Lenka Hlávková-Mráčková, “The Lviv Fragments and ‘Missa L’homme Armé Sexti Toni’: Questions on Early Josquin Reception in Central Europe”, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 67, no. 1/2 (2017), 139–61.
GASSER 1999
Gasser, Nolan, “‘Beata et venerabilis virgo’ : Music and Devotion in Renaissance Milan”, in Crossing Boundaries: Issues of Cultural and Individual Identities in the Middle Ages and the Renaissance, ed. Sally McKee (Turnhout: Brepols, 1999), 203–38.
GASSER 2001
Gasser, Nolan Ira, “The Marian Motet Cycles of the Gaffurius Codices: A Musical and Liturgico-Devotional Study” (Ph.D. diss., Stanford University, 2001).
GOZZI 2019
Gozzi, Marco, “Sequence Texts in Transmission”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 157–87.
Grove Music Online
Grove Music Online – Oxford Music Online, Oxford University Press, http://www.oxfordmusiconline.com.
HAMM 1960
Hamm, Charles, “The Manuscript San Pietro B80”, Revue Belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap, 14, no. 1/4 (1960), 40–55.
INTROZZI 2019
Introzzi, Sonia, “Il restauro del Librone 1”, in Il Duomo al tempo di Leonardo (Museo del Duomo di Milano, 22 novembre 2019 – 23 febbraio 2020) ([Milan]: [n.p.] 1990), 30–31.
JEPPESEN 1931
Jeppesen, Knud, “Die 3 Gafurius-Kodizes der Fabbrica del Duomo, Milano”, Acta Musicologica, 3, no. 1 (1931), 14–28.
KANAZAWA 1966
Kanazawa, Masakat , “Polyphonic Music for Vespers in the Fifteenth Century”, 2 vols (Ph.D. diss., Harvard University, 1966).
KAYE 1992
Kaye, Philip R. (ed.), The Sacred Music of Gilles Binchois (Oxford; New York: Oxford University Press, 1992).
KIRSCH 1966
Kirsch, Winfried, Die Quellen der mehrstimmigen Magnificat- und Te Deum- Vertonungen bis zur Mitte des 16. Jahrhunderts (Tutzing: Schneider, 1966).
LEVERETT 1990
Leverett, Adelyn P., “A Palaeographical and Repertorial Study of the Manuscript Trento, Castello del Buonconsiglio, 91 (1378)” (Ph.D. diss., Princeton University, 1990).
LEVERETT 1994
Leverett, Adelyn Peck, “An Early Missa Brevis in Trent Codex 91”, in Music in the German Renaissance: Sources, Styles, and Contexts, ed. John Kmetz (Cambridge: Cambridge University Press, 1994), 152–73.
LINDMAYR-BRANDL 1992
Lindmayr-Brandl, Andrea, “Gaspar van Weerbeke and the Motet ‘Sancti Spiritus adsit nobis gratia’ (An Analytic Study in the Diplomatic Environment of the Motetti Missales)”, Musica Disciplina, 46 (1992), 105–31.
LOCKWOOD 2005
Lockwood, Lewis, “Petrucci’s Edition of Josquin’s ‘Missa Hercules Dux Ferrarie’”, in Venezia 1501: Petrucci e la stampa musicale = Venice 1501: Petrucci, Music, Print and Publishing: Atti del Convegno internazionale di studi. Venezia, Palazzo Giustinian Lolin, 10–13 Ottobre 2001, ed. Giulio Cattin and Patrizia Dalla Vecchia, Edizioni Fondazione Levi. Serie 3, Studi Musicologici. B: Atti di convegni, 6 (Venice: Fondazione Levi, 2005), 391–95.
LOCKWOOD 2009
Lockwood, Lewis, Music in Renaissance Ferrara, 1400–1505: The Creation of a Musical Center in the Fifteenth Century (Oxford: Oxford University Press, 2009).
LONOCE 2010
Lonoce, Sergio, “Gaffurio perfectus musicus: lettura dei ‘motetti missales’” (Tesi di laurea, Università degli Studi di Milano, 2009).
MAAS 1968
Maas, Chris, “Determinering van Codex 73 uit de illustre Lieve Vrouwe Broederschap te ’s-Hertogenbosch”, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 21, no. 1 (1968), 37–45.
MACEY 1989
Macey, Patrick, “Josquin’s ‘Little’ ‘Ave Maria’: A Misplaced Motet from the ‘Vultum tuum’ Cycle?”, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 39 (1989), 38–53.
MACEY 1996
Macey, Patrick P., “Galeazzo Maria Sforza and Musical Patronage in Milan: Compère, Weerbeke and Josquin”, Early Music History, 15 (1996), 147–212.
MAGRO 2017
Magro, Agostino, “Ancora sui procedimenti di parafrasi polifonica nelle messe di Antoine Brumel. Il caso della Missa de Dringhs”, Rivista di analisi e teoria musicale, 23, no. 2 (2017): 165–93.
MERKLEY - MERKLEY 1999
Merkley, Paul A., and Lora L. M. Merkley, Music and Patronage in the Sforza Court, Studi sulla storia della musica in Lombardia, 3 (Turnhout: Brepols, 1999).
MGG Online
Die Musik in Geschichte und Gegenwart Online, https://www.mgg-online.com/.
MILLER 1968
Miller, Clement A, “The Musical Source of Brumel’s ‘Missa Dringhs’”, Journal of the American Musicological Society, 21, no. 2 (1968), 200–4.
MITCHELL 2004
Mitchell, Robert J., “Musical Counterparts to the ‘Wilhelmus Duffay’ Salve Regina Setting in MunBS 3154”, Tijdschrift van de Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis, 54, no. 1 (2004), 9–22.
NATVIG 1999
Natvig, Mary, “The Magnificat Group of Antoine Busnoys: Aspects of Style and Attribution”, in Antoine Busnoys: Method, Meaning, and Context in Late Medieval Music, ed. Paula Higgins (Oxford: Clarendon Press, 1999), 257–76.
NOBLITT 1963
Noblitt, Thomas L., “The ‘Motetti Missales’ of the Late Fifteenth Century” (Ph.D. diss., The University of Texas, 1963).
NOBLITT 1968
Noblitt, Thomas L., “The Ambrosian ‘Motetti Missales’ Repertory”, Musica Disciplina, 22 (1968), 77–103.
NOBLITT 1974A
Noblitt, Thomas L., “‘Contrafacta’ in Isaac’s Missae ‘Wohlauf, Gesell, von hinnen’”, Acta Musicologica, 46, no. 2 (1974), 208–16.
NOBLITT 1974B
Noblitt, Thomas L., “Manuscript Mus. 1/D/506 of the Sächsische Landesbibliothek, Dresden (Olim Annaberg, Bibliothek der St. Annenkirche, MS. 1126)”, Musica Disciplina, 28 (1974): 81–127.
NOBLITT 1975
Noblitt, Thomas L., “Addendum: ‘Contrafacta’ in Isaac’s Missae ‘Wohlauf, Gesell, von hinnen’”, Acta Musicologica, 47, no. 1 (1975), 192.
PANTAROTTO 2017
Pantarotto, Martina, “Franchino Gaffurio e i suoi libri”, in Ritratto di Gaffurio, ed. Davide Daolmi (Lucca: Libreria Musicale Italiana, 2017), 49–72.
PANTAROTTO 2019
Pantarotto, Martina, “Franchino Gaffurio maestro di cantori e di copisti: analisi codicologico-paleografica dei Libroni della Fabbrica del Duomo”, in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 103–38.
PANTAROTTO 2021
Pantarotto, Martina, “‘Scripsi et notavi’: Scribes, Notators, and Calligraphers in the Workshop of the Gaffurius Codices”, in Reopening Gaffurius’s Libroni, ed. Agnese Pavanello (Lucca: Libreria Musicale Italiana, 2021).
PAVANELLO 2009
Pavanello, Agnese, “Il ciclo di mottetti ‘In honorem sancti spiritus’ di Gaspar van Weerbeke: un’ipotesi sulla sua origine”, Musica Disciplina, 54 (2009), 147–80.
PAVANELLO 2017
Pavanello, Agnese, “The Elevation as Liturgical Climax in Gesture and Sound: Milanese Elevation Motets in Context”, Journal of the Alamire Foundation, 9, no. 1 (2017), 33–59.
PAVANELLO 2019A
Pavanello, Agnese, “Praying to Mary: Another Look at Gaspar van Weerbeke’s Marian Motetti Missales”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 339–80.
PAVANELLO 2019B
Pavanello, Agnese, “A Flemish Venus in Milan: Gaspar van Weerbeke’s ‘Missa O Venus Bant’”, Early Music History, 38 (2019), 107–39.
PAVANELLO 2021A
Pavanello, Agnese (ed.), Reopening Gaffurius’s Libroni (Lucca: Libreria Musicale Italiana, 2021).
PAVANELLO 2021B
Pavanello, Agnese, “The Non-Milanese Repertoire of the Libroni: A Potential Guide for Tracking Musical Exchanges”, in Reopening Gaffurius’s Libroni, ed. Agnese Pavanello (Lucca: Libreria Musicale Italiana, 2021).
PEDRALLI 2002
Pedralli, Monica, Novo, grande, coverto e ferrato: gli inventari di biblioteca e la cultura a Milano nel Quattrocento (Milan: Vita e Pensiero, 2002).PESCHIERA 2017
Peschiera, Maddalena, “Un ‘pratico’ in soccorso della Veneranda Fabbrica: Achille Ratti e il restauro dei documenti bruciati nell’Esposizione internazionale del 1906”, in I quaderni della Brianza, 40/183 (2017): Pio XI e il suo tempo: atti del convegno, Desio, 6 febbraio 2016, ed. Franco Cajani, 275–98.
PLANCHART 2000
Planchart, Alejandro Enrique, “Masses on Plainsong Cantus Firmi”, in The Josquin Companion, ed. Richard Sherr (Oxford: Oxford University Press, 2000), 89–150.
PLANCHART 2018
Planchart, Alejandro Enrique, Guillaume Du Fay: The Life and Works, 2 vols (Cambridge: Cambridge University Press, 2018).
POPE - KANAZAWA 1978
Pope, Isabel, and Masakata Kanazawa, The Musical Manuscript Montecassino 871: A Neapolitan Repertory of Sacred and Secular Music of the Late Fifteenth Century (Oxford: Clarendon Press, 1978).
REYNOLDS 1981
Reynolds, Christopher, “The Origins of San Pietro B 80 and the Development of a Roman Sacred Repertory”, Early Music History, 1 (1981), 257–304.
REYNOLDS 2003
Reynolds, Christopher, “Interpreting and Dating Josquin’s ‘Missa Hercules Dux Ferrariae’”, in Early Musical Borrowing, ed. Honey Meconi (New York; London: Routledge, 2003), 91–110.
RIFKIN 2003
Rifkin, Joshua, “Munich, Milan, and a Marian Motet: Dating Josquin’s ‘Ave Maria … virgo Serena’”, Journal of the American Musicological Society, 56, no. 2 (2003), 239–350.
RIFKIN 2007
Rifkin, Joshua, “A Song Mass in Siena”, The Journal of Musicology, 24, no. 4 (2007), 447–76.
RIFKIN 2019
Rifkin, Joshua, “Milan, Motet Cycles, Josquin: Further Thoughts on a Familiar Topic”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 221–336.
RODIN 2012
Rodin, Jesse, Josquin’s Rome: Hearing and Composing in the Sistine Chapel (New York: Oxford University Press, 2012).
ROSSI 2019A
Rossi, Francesco Rocco, “Franchino Gaffurio compositore: Tra indagine stilistica e nuove conferme attributive”, in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 219–31.
ROSSI 2019B
Rossi, Francesco Rocco, “Surveying the First Gaffurius Codex: Reconsiderations on the ‘Motetti Missales’ Paradigm”, in Motet Cycles between Devotion and Liturgy, ed. Daniele V. Filippi and Agnese Pavanello, Schola Cantorum Basiliensis Scripta, 7 (Basel: Schwabe, 2019), 381–95.
ROSSI 2019C
Rossi, Francesco Rocco, “Le pratiche mensurali nei quattro libroni di Gaffurio: una risorsa per possibili attribuzioni”, Studi musicali, 10, no. 2 (2019), 155–92.
SARTORI 1952–1953
Sartori, Claudio, “Franchino Gaffurio a Milano (Nuove notizie biografiche e documenti inediti sulla sua attività di Maestro di Cappella e sulla su a riforma della Cappella del Duomo)”, Universitas Europae, 1, no. iv–v: 18–20, viii–ix: 13–16, xi–xii: 17–20 (1952–1953).
SARTORI 1953
Sartori, Claudio, “Il quarto codice di Gaffurio non è del tutto scomparso”, in Collectanea historiae musicae, 1 (Florence: Olschki, 1953), 26–44.
SARTORI 1957
Sartori, Claudio, Le musiche della Cappella del Duomo di Milano: Catalogo delle musiche dell’Archivio (Milan: Veneranda Fabbrica del Duomo, 1957).
SARTORI 1961
Sartori, Claudio, “La cappella del Duomo dalle origini a Franchino Gaffurio”, in Storia di Milano, ix. pt. 3: La musica nel Duomo e alla corte sino alla seconda metà del Cinquecento (Milan: Fondazione Treccani degli Alfieri per la Storia di Milano, 1961), 723–48.
SCHMIDT 2019
Schmidt, Thomas, “The Coherence of the Cycle? The Notation of the Motetti Missales in Manuscript and Print”, in Codici per Cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e Saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 171–86.
SHERR 2001
Sherr, Richard, “Josquin’s Red Nose”, in Essays on Music and Culture in Honor of Herbert Kellman, ed. Barbara Haggh (Paris: Minerve, 2001), 209–40.
SHERR 2011
Sherr, Richard, “What Were They Thinking?: ‘Sola Caret Monstris’ at the Papal Court”, in Essays on Renaissance Music in Honour of David Fallows: Bon jour, bon mois et bonne estrenne, ed. Fabrice Fitch and Jacobijn Kiel, Studies in Medieval and Renaissance Music, 11 (Woodbridge: Boydell Press, 2011), 163–69.
SHINE 1953
Shine, Josephine M., “The Motets of Jean Mouton” (Ph.D. diss., New York University, 1953).
SMIJERS 1940
Smijers, Albert, “Meerstemmige muziek van de Illustre Lieve Vrouwe Broederschap te ’s-Hertogenbosch”, Tijdschrift der Vereeniging voor Noord-Nederlands Muziekgeschiedenis, 16, no. 1 (1940), 1–30.
SNOW 1969
Snow, Robert J., “The Mass-Motet Cycle: A Mid-Fifteenth-Century Experiment”, in Essays in Musicology in Honor of Dragan Plamenac on His 70th Birthday, ed. Gustave Reese and Robert J. Snow (Pittsburgh, PA: University of Pittsburgh Press, 1969), 301–20.
SPARKS 1975
Sparks, Edgar H., Cantus Firmus in Mass and Motet 1420–1520 (New York: Da Capo Press, 1975).
STAEHELIN 1973
Staehelin, Martin, “Möglichkeiten und praktische Anwendung der Verfasserbestimmung an anonym überlieferten Kompositionen der Josquin-Zeit”, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 23, no. 2 (1973), 79–91.
STAEHELIN 1977
Staehelin, Martin, Die Messen Heinrich Isaacs, 3 vols, Publikationen der Schweizerischen Musikforschende Gesellschaft - Publications de la Société suisse de musicologie, II/28 (Bern; Stuttgart: Paul Haupt, 1977).
STEIB 1993
Steib, Murray, “Loyset Compère and His Recently Rediscovered ‘Missa De tous biens plaine’”, The Journal of Musicology, 11, no. 4 (1993), 437–54.
STEIB 2014
Steib, Murray, “Herculean Labours: Johannes Martini and the Manuscript Modena, Biblioteca Estense, MS α.M.1.13”, Early Music History, 33 (2014), 183–257.
TORELLI 2019
Torelli, Daniele, “Gli inni e il repertorio per l’ufficio nei Libroni gaffuriani”, in Codici per cantare: I Libroni del Duomo nella Milano sforzesca, ed. Daniele V. Filippi and Agnese Pavanello, Studi e saggi, 27 (Lucca: Libreria Musicale Italiana, 2019), 233–71.
WARD 1986
Ward, Lynn Halpern, “The ‘Motetti Missales’ Repertory Reconsidered”, Journal of the American Musicological Society, 39, no. 3 (1986), 491–523.
WEGMAN 1987
Wegman, Rob C., “An Anonymous Twin of Johannes Ockeghem’s ‘Missa Quinti Toni’ in San Pietro B 80”, Tijdschrift van de Vereniging voor Nederlandse Muziekgeschiedenis, 37 (1987), 25–48.
Librone 1: Brown, Howard Mayer (ed.), Milan, Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Librone 1 (Olim 2269), Renaissance Music in Facsimile, 12a (New York; London: Garland, 1987).
Librone 2: Brown, Howard Mayer (ed.), Milan, Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Librone 2 (Olim 2268), Renaissance Music in Facsimile, 12b (New York; London: Garland, 1987).
Librone 3: Brown, Howard Mayer (ed.), Milan, Archivio della Veneranda Fabbrica del Duomo, Sezione Musicale, Librone 3 (Olim 2267), Renaissance Music in Facsimile, 12c (New York; London: Garland, 1987).
Librone [4]: Ciceri, Angelo, and Luciano Migliavacca (eds.), Liber capelle ecclesie maioris: Quarto codice di Gaffurio, Archivium Musices Metropolitanum Mediolanense, 16 (Milan: Veneranda Fabbrica del Duomo, 1968).
AMMM – Archivium Musices Metropolitanum Mediolanense
1: Gaffurio, Franchino, Messe, ed. Amerigo Bortone (Milan: Veneranda Fabbrica del Duomo, 1958).
2: Gaffurio, Franchino, Messe, ed. Amerigo Bortone (Milan: Veneranda Fabbrica del Duomo, 1959).
3: Gaffurio, Franchino, Messe, ed. Amerigo Bortone (Milan: Veneranda Fabbrica del Duomo, 1960).
4: Gaffurio, Franchino, Magnificat, ed. Fabio Fano (Milan: Veneranda Fabbrica del Duomo, 1959).
5: Gaffurio, Franchino, Mottetti, ed. Luciano Migliavacca (Milan: Veneranda Fabbrica del Duomo, 1959).
6: Anonimi, Messe, ed. Fabio Fano (Milan: Veneranda Fabbrica del Duomo, 1966).
7: Anonimi, Magnificat, ed. Fabio Fano (Milan: Veneranda Fabbrica del Duomo, 1965).
9: Anonimi, Mottetti, ed. Luciano Migliavacca (Milan: Veneranda Fabbrica del Duomo, 1961).
10: Isaac, Heinrich, Messe, ed. Fabio Fano (Milan: Veneranda Fabbrica del Duomo, 1962).
11: Weerbeke, Gaspar van, Messe e Mottetti, ed. Giampiero Tintori (Milan: Veneranda Fabbrica del Duomo, 1963).
12: Martini, Johannes, Magnificat e Messe, ed. Benvenuto Disertori (Milan: Veneranda Fabbrica del Duomo, 1964).
13: Compère, Loyset, Messe, Magnificat e Motetti, ed. Dino Faggion (Milan: Veneranda Fabbrica del Duomo, 1968).
15: Josquin des Pres e vari, Messe, Magnificat, Mottetto e Inno, ed. Amerigo Bortone (Milan: Veneranda Fabbrica del Duomo, 1969).
CMM: Corpus Mensurabilis Musicae
1.5: Dufay, Guillame. Opera omnia: Compositiones liturgicae minores, ed. Heinrich Besseler (Rome: American Institute of Musicology, 1966).
5.1: Brumel, Antoine, Opera omnia: Missae Je nay dueul, Berzerette savoyenne, Ut re mi fa sol, L’Homme arme, Victimae paschali, ed. Barton Hudson ([s.l.]: American Institute of Musicology, 1969).
5.2: Brumel, Antoine, Opera omnia: Missa Bon temps, Missa dominicalis, Missa Descendi in hortum, Missa sine nomine, ed. Barton Hudson ([s.l.]: American Institute of Musicology, 1970).
5.4: Brumel, Antoine, Opera omnia: Missa de beata Virgine, Missa de Dringhs, Missa A l’ombre d’ung buissonet, Missa pro defunctis, Mass Sections, ed. Barton Hudson ([s.l.]: American Institute of Musicology, 1970).
10.1: Gafurius, Franchinus, Collected Musical Works [Missa de Carnival, Missa sexti toni irregularis], ed. Ludwig Finscher (Rome: American Institute of Musicology, 1955).
10.2: Gafurius, Franchinus, Collected Musical Works [Kyrie et Agnus Dei ad Missam sexti toni irregularis, Missa (in Nat. D.N.J.C.) Omnipotens genitor, Missa sanctae Catherinae V. et M. quarti toni, Missa de tous biens pleine, Missa de O clara luce, Missa (sine nomine), Missa brevis primi toni], ed. Ludwig Finscher (Rome: American Institute of Musicology, 1960).
15.1: Compère, Loyset, Opera omnia [Missa L’Homme armé, Missa Alles regrets, Missa brevis sine nomine, Credo sine nomine, Credo Mon père, Mon père m’a donné mari], ed. Ludwig Finscher ([s.l.]: American Institute of Musicology, 1958).
15.2: Compère, Loyset, Opera omnia [Three Motet Cycles], ed. Ludwig Finscher ([s.l.]: American Institute of Musicology, 1959).
15.3: Compère, Loyset, Opera omnia [Four Tenor Motets, Four Magnificats, and Two Esurientes], ed. Ludwig Finscher ([s.l.]: American Institute of Musicology, 1959).
15.4: Compère, Loyset, Opera omnia [Motets], ed. Ludwig Finscher ([s.l.]: American Institute of Musicology, 1961).
18: Tinctoris, Johannes, Opera omnia, ed. William Melin ([s.l.]: American Institute of Musicology, 1976).
22.2: Agricola, Alexander, Opera omnia: Missae, Fragmenta missarum, ed. Edward R. Lerner ([s.l.]: American Institute of Musicology, 1963).
32.2: D’Accone, Frank, ed., Music of the Florentine Renaissance: Collected Works of Alessandro Coppini, Bartolomeo degli Organi, Giovanni Serragli and Three Anonymous Works ([s.l.]: American Institute of Musicology, 1967).
41: Pullois, Jean, Opera omnia, ed. Peter Gülke ([s.l.]: American Institute of Musicology, 1967).
65.6: Isaac, Heinrich, Opera omnia [Four-Voice Masses I], ed. Edward R. Lerner (Neuhausen-Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1984).
65.7: Isaac, Heinrich, Opera omnia [Four-voice Masses II], ed. Edward R. Lerner (Neuhausen-Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1984).
65.8: Isaac, Heinrich, Opera omnia [Four- and six-voice Masses], ed. Edward R. Lerner (Neuhausen-Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1998).
90.1: Prioris, Johannes, Opera omnia [Masses], ed. Herman Keahey (Neuhausen-Stuttgart: American Institute of Musicology; Hänssler-Verlag, 1982).
106.1: Weerbeke, Gaspar van, Collected Works: Masses, ed. Agnese Pavanello ([s.l.]: American Institute of Musicology, 2016).
106.3: Weerbeke, Gaspar van, Collected Works: The Motet Cycles, ed. Andrea Lindmayr-Brandl ([s.l.]: American Institute of Musicology; Hänssler-Verlag, 1998).
106.4: Weerbeke, Gaspar van, Collected Works: Motets, ed. Agnese Pavanello ([s.l.]: American Institute of Musicology, 2010).
EdM - Das Erbe deutscher Musik
32–34: Gerber, Rudolf (ed.), Der Mensuralkodex des Nikolaus Apel: MS 1494 der Universitätsbibliothek Leipzig, 3 vols (Kassel: Bärenreiter, 1956–75).
72–73: Kindermann, Jürgen (ed.), Annaberger Chorbuch: Sächsische Landesbibliothek, Mus. 1-D-505 (Ms. 1248), 2 vols (Wiesbaden: Breitkopf & Härtel, 2017).
76–78: Just, Martin (ed.), Der Kodex Berlin 40021: Staatsbibliothek Preussischer Kulturbesitz Berlin Mus. ms. 40021, 3 vols (Kassel: Bärenreiter, 1990–91).
80–83: Noblitt, Thomas L. (ed.), Der Kodex des Magister Nicolaus Leopold: Staatsbibliothek München Mus ms. 3154, 4 vols (Kassel: Bärenreiter, 1987–96).
JW - Werken van Josquin des Prés, uitgegeven door A. Smijers
46: Josquin des Prés, Motetten, Bundel xx (Amsterdam: [G. Alsbach], 1957).
55: Antonowycz, Myroslaw, and Willem Elders (eds.), Supplement (Amsterdam: [s.n.], 1969).
MCE - Motet Cycles Edition
See the section "Editions" on this Portal.
MM - Musica mensurale
1: Gaffurio, Franchino, Mottetti, ed. Francesco Rocco Rossi, La musica sacra di Franchino Gaffurio, 1 (Rome: Società Editrice di Musicologia, 2020).
MMR - Masters and Monuments of the Renaissance
5.2: Busnoys, Antoine, Collected Works, Part 2: The Latin-Texted Works: Music, ed. Richard Taruskin (New York: The Broude Trust, 1990).
5.3: Busnoys, Antoine, Collected Works, Part 3: The Latin-Texted Works: Commentary, ed. Richard Taruskin (New York: The Broude Trust, 1990).
NJE – New Josquin Edition
Each volume includes the tomes of the edition and that of the Critical Commentary, indicated with [CC].
3: Masses Based on Gregorian Chants, 1, ed. Willem Elders (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2003).
6: Masses Based on Secular Monophonic Songs, 2, ed. Jesse Rodin (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2014).
11: Masses Based on Solmisation Themes, ed. James Haar and Lewis Lockwood (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2002).
22: Motets on Non-Biblical Texts, 2: De domino Jesu Christo, ed. Bonnie J. Blackburn (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2003).
23: Motets on Non-Biblical Texts, 3: De beata Maria virgine, ed. Willem Elders (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2006).
25: Motets on Non-Biblical Texts, 5: De beata Maria virgine, ed. Willem Elders (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2009.
26: Motets on texts Pro diversis temporibus et festis and on miscellaneous texts, ed. Ton Braas (Utrecht: Koninklijke vereniging voor nederlandse muziekgeschiedenis, 2012).
RRMMA – Recent Researches in the Music of the Middle Ages and Early Renaissance
34: Martini, Johannes, Masses without Known Polyphonic Models, ed. Elaine Moohan (Madison, WI: A-R Editions, 1999).
35: Martini, Johannes, Masses with Known Polyphonic Models, ed. Elaine Moohan (Madison, WI: A-R Editions, 1999).
39: Martini, Johannes, and Johannes Brebis, Sacred Music, Part 1: Hymns, Magnificats, Motets, and Passions, ed. Murray Steib (Middleton, WI: A-R Editions, 2009).
SCM – Sixteenth-Century Motet
2: Sherr, Richard (ed.), Selections from Motetti C: Venice, 1504, The Petrucci Motet Anthologies, 2 (New York: Garland, 1991).
3: Sherr, Richard (ed.), Selections from Motetti Libro quarto: Venice, 1505, The Petrucci Motet Anthologies, 3 (New York: Garland, 1991).
TORCHI 1897
Torchi, Luigi (ed.), L’arte musicale in Italia, volume primo: Composizioni sacre e profane a più voci, secolo XVI (Milan: Ricordi, 1897).